Sympathy for the Devil

Sympathy for the Devil

The Rolling Stones

From the album

Beggars Sessions (1989)

Written by

Mick Jagger, Keith Richards

Key:E Mixolydian
Duration:6:51

Listen to the Song

Open in YouTube

Summary

Serving as the centerpiece of the 1968 album Beggars Banquet, this track redefined The Rolling Stones' sound by blending dark, literary lyricism with a pulsating samba-infused rhythm. It remains a definitive cultural touchstone, famous for its building intensity and Keith Richards' biting, iconic guitar solo.

Classic RockBlues RockSamba RockCounterculturePsychedelic

Musical Analysis

The harmonic engine of 'Sympathy for the Devil' is a relentless, hypnotic four-chord loop: E, D, A, and E. While it superficially resembles a standard major-key progression, the presence of the D major chord (the flat-seventh) shifts the song firmly into the E…

Structure:Intro-Verse-Verse-Chorus-Verse-Chorus-Bridge-Verse-Chorus-Outro

Chords

verse:E - D - A - E
chorus:B - B - E - E
bridge:A - B - E

History

Primarily written by Mick Jagger, the song began as a folk-style 'talking blues' titled 'The Devil Is My Name' or 'Fallen Angels.' Jagger first played it for Charlie Watts at Watts' home in Sussex. In the studio, the song underwent a drastic transformation thr…

“French filmmaker Jean-Luc Godard captured the entire creative evolution of the song for his avant-garde film titled 'One Plus One' (later renamed 'Sympathy for the Devil').”

📝 Lyrics

provocative · menacing · hypnotic

Theme

The omnipresence of evil and collective human complicity in historical atrocities

Surface

A refined and wealthy narrator, revealed to be Lucifer, introduces himself and recounts his presence at various tragic turning points in human history.

Deeper meaning

The song serves as a mirror to humanity, suggesting that 'The Devil' is not an external monster but a manifestation of human nature. It argues that evil is woven into the fabric of civilization, often hiding behind 'wealth and taste.'

Symbols

Wealth and tasteThe KennedysThe BlitzkriegThe Cross

Full Musical Analysis

The song features a driving blues rock harmony with elements of Latin influence. The chord progression is relatively simple but effective in creating a sense of unease and drama.

The rhythm is characterized by a prominent conga beat, giving the song a distinct Latin feel. The driving rhythm section provides a constant sense of forward momentum.

Mick Jagger's vocal melody is conversational and theatrical, enhancing the Devil's persona. The melody weaves through the chords with a serpentine quality.

Primarily written by Mick Jagger, the song began as a folk-style 'talking blues' titled 'The Devil Is My Name' or 'Fallen Angels.' Jagger first played it for Charlie Watts at Watts' home in Sussex. In the studio, the song underwent a drastic transformation through over 30 takes, evolving from a slow acoustic ballad into a high-energy samba-rock track after the band experimented with various rhythms and African/South American percussion.

Serving as the centerpiece of the 1968 album Beggars Banquet, this track redefined The Rolling Stones' sound by blending dark, literary lyricism with a pulsating samba-infused rhythm. It remains a definitive cultural touchstone, famous for its building intensity and Keith Richards' biting, iconic guitar solo.

Song DNA

Genre

Rock

Era

60s

Mood

Dark

Tempo

Upbeat

Key

Blues

Texture

Layered

Sound

Piano-led

Feel

Syncopated

Explore More

Listen & Learn

Statistics

6.9M

Plays

1.2M

Listeners

1.1M

Genius Views

22

Annotations

100%

Popularity

6:51

Duration

4/4

Time

Credits

Written by

Mick JaggerKeith Richards

Produced by

Jimmy Miller

From the album The Rolling Stones Singles Collection: The London Years

Chord Sheet

Song Structure

Verse-Chorus

Chords Used

A minor
D minor

Chord Fingerings

A minor

Standard

D minor

Standard

Sections

IntroVerseChorusInstrumental BreakOutro